• Home
  • About
  • Chef Interviews
  • Frequently asked questions
  • Contact us

Food and Wine Gazette

Food and Wine, travel and gastronomy

  • News
  • Interviews
    • Chefs
    • Winemakers
    • Artisans
    • Entrepreneurs
  • Series
    • 10 things we learnt from …
    • A perfect day in …
    • 10 wineries from one region
    • Weekly roundup
  • Features
    • Reportage
    • Childhood Memories
    • Book reviews
    • Film reviews
    • Weekly roundup
  • Food
    • Chef Profiles
    • Restaurants
      • Concepts
      • Belgium
        • Brussels
        • Bruges
        • Gent
      • UK
      • Italy
      • Malta
      • Netherlands
    • Recipes
    • Focus on one ingredient
    • Producers
    • Shops
  • Drink
    • Wine
    • Producers
    • Bars
  • Traveling
    • Itineraries
    • Cities
  • Countries
    • Belgium
    • France
    • Italy
    • Germany
    • Netherlands
    • Denmark
    • Spain
    • Sweden
    • Malta
    • Argentina
  • Blogs
    • Ivan Brincat
    • Notes from Far and Away – Isabel Gilbert Palmer
  • Privacy Policy
You are here: Home / Interviews / Chefs / Interview with Jeremiah Tower: ‘You have to look to the past to figure out the future’

Interview with Jeremiah Tower: ‘You have to look to the past to figure out the future’

April 18, 2017 by Ivan Brincat Leave a Comment

Few people have had an impact on the United States culinary scene like Jeremiah Tower. Yet, for nearly 20 years, he disappeared from the scene and few people seemed to know what had happened to him before he took up the challenge to become chef of New York legendary restaurant Tavern on the Green.

Having accepted to take part in a documentary about his journey, Jeremiah was in the middle of filming when he accepted what many considered to be an an impossible task. Why would he do something like this particularly having been away from the cooking scene for so long. What did he want to prove? Did he do it to add a dramatic effect to the film?

In an interview with Food and Wine Gazette, Jeremiah says that when he accepted to return back to cook at Tavern on the Green he believed that he could turn it around and was close to achieving this. “I thought that the filming was over when I accepted the challenge. I looked at the owners, the staff and thought that while the challenge was difficult, we could turn the restaurant around. And in three months we nearly managed just that . We were back on track and as you can see from the documentary the sous chef wrote to me to tell me that we had almost turned it around,” he said.

“The problems were enormous but I also realised that there was enormous potential. I saw that there were people who knew what they were doing. When I took the offer, Lydia (the director of the film) was furious at me because she had nearly finalised the story and now needed to start again.”

In the interview, I did not manage to find out what led him to accept to go and cook again saying that he never felt the urge to return back before despite the fact that he missed cooking.

Someone who has been described as a control freak, Jeremiah was horrified the first time he saw the documentary. “It was at the Tribeca Film Festival, I had not seen it before. At the end of the film, there was a standing ovation. I stood up. The people clapped and clapped and it lasted 10 minutes. People seemed to have liked it so I thought to myself that I had been let off the hook. It was however only after I had seen it for three to four times that I saw it for what it was. The Director, Lydia, who was the force behind the documentary film had done a very good job,” Jeremiah said.

The chef began his career at the renowned Chez Panisse in Berkeley in 1972, becoming a pioneering figure in the emerging California cuisine movement.  After leaving Chez Panisse, due in part to a famously contentious relationship with founder Alice Waters, Tower went on to launch his own legendary Stars Restaurant in San Francisco. Stars was an overnight sensation and soon became one of America’s top-grossing U.S. restaurants. After several years, Tower mysteriously walked away from Stars and then disappeared from the scene.

The restaurant was a success in many ways. With an open kitchen and a huge bar, it was way ahead of its time. The restaurant Stars defined what we know as the California scene today. “It left an impact not only on the US culinary scene but also on the global scene. I recall that two famous journalists from Sydney had come to celebrate a dinner there. That was no small undertaking but the food I was created had made them come. Sydney has today become an important food destination but at the time the eyes were on California,” he said.

Did he miss the cooking I ask him? “Of course you miss the cooking,” he says. “But at the same time, I was too comfortable on a Caribbean beach with the sea close to me where I could just cut a fresh lime and squeeze it to make a Margherita after diving.”

What made Stars so special and is there a restaurant today that resembles this restaurant I ask him. He tells me there are a few examples including the Wolseley in London but there were a series of circumstances that made Stars special and which are extremely hard to replicate. “The location was special in that it was close to the theatres, politicians used to frequent it, there was the mayor’s office close by and the courts. The place was packed with drama. You can never create that even if you try.”

Jeremiah studied architecture at Harvard University before he chose cooking as his career and he says that this had a huge impact on his work and in particular Stars. “Architecture gave me the perfect training in organisation. You need to be logical when you practice architecture in terms of the steps that you need to take. It also helped me in the design of the restaurant,” he said.

Read books for inspiration and to find your passion

So what words of advice would he give aspiring chefs? “Reading is essential. When I speak to young chefs I ask them what they read and some tell me magazines. That is not good enough. That tells you what is happening today but you need to read the classics. Read books to be inspired and to develop your passion,” he said.

The first book he would recommend is the great classic by Auguste Escoffier. “Just go to the preface before each chapter and read that if you are not into recreating his dishes. Read his take on making stock because nothing has changed since then. Go and read Elizabeth David, read Simple French cooking, the Larousse Gastronomique to find out what people were doing before. Before you can deconstruct anything you need to have ample knowledge of the past. Of the new books, you can look at French Laundry by Thomas Keller which is amazing and then all the others. But you have to look into the past to figure out the future,” he says.

His view of cooking has not changed since the beginning of his career. “Great cooking always starts with great ingredients. Even if its molecular cuisine you always start with top quality ingredients. The challenge is to keep it simple and perfect and let the ingredients do the talking.”

“I have just returned back from Seville and the market was unbelievable. All the fresh produce was incredible. It is all about the ingredient. That is where passion and inspiration comes from – great ingredients. That is the real farm to table and not ingredients that are screwed by the big commercial companies.”

Food is looking the same everywhere

He believes that there is a problem in today’s gastronomic world in that everyone is imitating each other. “Today you can eat in Hong Kong, Sydney, New York, Barcelona and the food is looking the same everywhere. I always tell the chefs to develop their own plating style and not copy.”

“There are chefs who are geniuses and who come up with something really new but when there is something new it needs to be incorporated into your style and not copied. That is a shame,” he said.

Jeremiah may be considered as the first proponent of farm to table cooking in the United States. He says seasonality is still important even with today’s global supply chain since chefs can be tempted to use raspberries or asparagus even when these are not in season. “You need to taste and remember that raspberries that are not in season have been cut with the intention to spend two weeks travelling. If you love wild asparagus you need to feel the urge to cook or eat them every day until they are no longer available and until you are tired of eating them,” he said.

He speaks about his favourite restaurant at the moment a place on a tropical beach in Tulum, Mexico where the chef cooks the most amazing food using fire either in a wood over or on a grill and its just wonderful.

If he had to start today he would look for a great location overlooking water. “I would have a chalkboard menu and change on the basis of what I have. If I have five lobsters, I will cook them and when they are sold out, I will rub them off the menu and serve something else. Using perfect ingredients in a beautiful location with a few good simple wines. It will not be a formal restaurant but one which respects the location and the ingredients. It will be a place you will want to return twice or three times a week. It will be like your local.”

I nod in agreement and tell him that I could subscribe to that. He jokes and asks me whether we open one together?

The documentary, Jeremiah Tower: The Last Magnificent directed by Lydia Tenaglia (interview with her here) and executive producer Anthony Bourdain is being launched in the United States this week. The film is produced by Zero Point Zero Production Inc. and CNN Films.

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on X (Opens in new window) X
  • Click to share on WhatsApp (Opens in new window) WhatsApp
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to print (Opens in new window) Print
  • Click to email a link to a friend (Opens in new window) Email
  • More
  • Click to share on Pocket (Opens in new window) Pocket
  • Click to share on Pinterest (Opens in new window) Pinterest

Like this:

Like Loading...

Related

Filed Under: Chefs, Interviews

We use cookies to analyze site traffic, and understand where our audience is coming from. To find out more please read our Privacy Policy. Privacy Policy

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

The stories behind the meal

Interviews, thought and context

Follow us

  • Facebook
  • Instagram
  • RSS
  • Twitter
  • My top patisseries in Brussels
  • Advice from Massimo Bottura to young chef: Keep your feet on the ground
  • A review of Massimo Bottura's great book Never Trust a Skinny Italian Chef
  • Recipe: Spaghetti with fresh bottarga (fish roe)
  • 10 Sicilian wine producers to look out for
  • A review of Francis Mallmann's book: Seven Fires - Grilling the Argentinian Way
  • Two Sicilian recipe books to make your mouth water
  • Get ready for disruption in the wine industry: How Gary Vaynerchuk and Empathy Wines plan to cut the middlemen and sell the best $20 wine
  • Mauro Colagreco (Mirazur) showcases three great dishes using collagen
  • Dreaming big: Nothing is impossible for Kristian Brask Thomsen

Connect with us on Facebook

Connect with us on Facebook

Instagram

You don’t eat the dish.
Food may be the last art form that disappears as it’s experienced.
Dinner at Le Du
🎵 Radioactive ☢️: 🦎 ‘Force-fed lizard’ as foie. Fukushima leaves extract on top. Gaggan doesn’t do fine dining — he does food theatre dressed as confrontation. 🍽️💥
Sühring 🇩🇪🇹🇭✨
Gaggan meets Louis Vuitton. 🍮✨

Archives

  • November 2025
  • December 2023
  • November 2023
  • September 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

The stories behind the meal

Interviews, thought and context

Food and Wine Gazette explores the stories, people and ideas shaping food today

The stories behind the meal — reflections, chefs, and context.
No spam — just thoughtful food stories.

Copyright © 2026 · Magazine Pro Theme on Genesis Framework · WordPress · Log in

 

Loading Comments...
 

You must be logged in to post a comment.

    %d